Berlin and Malmö-based Luca Frei’s installation DK-1414, named after Overgaden’s postal code, consists of a movable wood and chain sculpture lying on the ground and a set of chairs at the edge of the room, and sets up a scenario in which audiences are invited to play and to observe others acting. The sculpture can be manipulated and re-formed by performative interventions, and thusly authorial power is disrupted. Frei has relinquished his control over the spatial and social interactions that make up this tactile work and set many potential bodies into action and interaction. In relation to the work, the change of title highlights its nomadic quality, something which can also be reflected in its openness to change and reconfiguration.